Some thoughts on the superiority of Juche culture and the cultural decadence of the south Korean puppets

"In south Korea where our national traits have been grossly trampled upon because of the flunkeyist, treacherous acts of the successive reactionary rulers, the soul of the nation and refined customs are now being totally erased by the clamour of the authorities for anti-national “internationalization” and ”globalization”.Their clamour for these schemes means an unheard-of treachery to maintain their powers and comfort in return for the obliteration of everything that is national and for their total sell-out of the country and nation to foreign forces.Their humiliating open-door policy which is pursued in the name of “internationalization” and “globalization” allows the American, Japanese and Western fashions to flood all spheres of politics, economy and culture.In consequence, in south Korea all areas of social life, ranging from the mode of politics, the language, written and spoken, to the way of life, are imitating the American, Japanese and Western fashions, the foreign forces lord it over, and the national traits and dignity are being wantonly violated and obliterated."

(KIM JONG IL "ON PRESERVING THE JUCHE CHARARCTER AND NATIONAL CHARACTER OF THE REVOLUTION" )

                                  

   The above quotation is a useful starting point to explore the issue of the DPRK'sJuche and national culture and the extreme cultural degeneracy of south Korea as typified by the so-called "Gangman " style of 'Psy'.

                        The DPRK long ago set out the line of developing a culture that is socialist in content and national in form. The cultural infiltration of imperialism would be blocked but at the same the tendency to elevate old reactionary feudal culture was rejected as restorationism.

     The culture of the DPRK made great strides forward  . It was acclaimed by the world people  as being both pure Korean and modern at the same time. However south Korea followed the road blindly copying the styles of the US and other Western countries as well as Japan. In the 1960s a  south Korean dance troupe got expelled from Indonesia for dancing naked on stage . South Korean culture is widely regarded as a copy of American culture. The DPRK did not stand still in the cultural field but in the late 1980s and early 1990s developed groups such as the  Pochonbo Pop Ensemble and the Wangjaesan Light Music band . Under dear respected Marshal Kim Jong Un the music industry of the DPRK has taken a great leap forward with the appearance of the Moranbong  band . This all female group is skilfully combining adherence to the Juche cultural line and traditions of the DPRK with innovation

http://www.youtube.com/watch?v=JWjgeNmuHn0&list=PLF57D885B8F0EAA78

http://www.youtube.com/watch?v=daTV9-Wttgg

This is simply wonderful to listen to and watch on video. It is is truly invigorating
and inspiring.
However south Korea has sunk down further in the morass of cultural and decadence and degeneration with the awful "gangman style " which nothing more than a copy of US style and is summed up by this picture

Totally decadent lavatorial rubbish , fit only for the toilet (ironically south Korea is the only country in the world to have a toilet theme park).

This shows that the road of Juche is the true path for national cultural development whereas submissively copying other countries as south Korea does only leads to cultural disaster and annilation.

ASSPUK
JISGE
UK KFA